Schedule of Events:

12:00 pm - 1:00 pm: Law Roach: How to Build a Fashion Icon

Notes on confidence from the world’s only Image Architect

Discover the secrets of creating a fashion legacy with legendary stylist Law Roach. Join us for an exclusive live discussion of his new book, How to Build a Fashion Icon. Roach, known for transforming celebrities like Celine Dion, Ariana Grande, and Zendaya into style sensations, will share anecdotes from his illustrious career. Learn how to cultivate a unique personal brand, navigate the fashion world, and leave a lasting impression. The Chicago native returns to the neighborhood of his first boutique to share insider tips on the most essential fashion accessory: confidence.

Law Roach:
American Fashion Stylist

Law Roach is a stylist and image architect who has worked with A-list celebrities including Zendaya, Céline Dion, Anne Hathaway, Kerry Washington, Anya Taylor-Joy, Venus Williams, Lewis Hamilton, Tom Holland, and many others. He was the first African American to be featured on the cover of the Hollywood Reporter’s Most Powerful Stylists issue. He is the co-host of E!’s eccentric new fashion competition series OMG Fashun and was a judge on hit TV shows such as RuPaul’s Drag Race. Roach has been interviewed and featured at length in outlets including the New York Times, Vogue, Vanity Fair, Harper’s Bazaar, the Guardian, and more. In April 2022, he was named the West Coast contributing editor of British Vogue.

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7:30 pm - 9:00 pm: aja monet

Artist aja monet’s poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.

aja monet:

aja monet’s poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.

As a community organizer, surrealist blues poet and teacher aja monet moves between mediums, each one an element to her writing. Here, organizing and activism aren’t the point, they’re the process. The endgame is liberation and the poems, the music, and the art serve as the scribe of the time. Building off a tradition rooted in oratorical facility aja is the conduit for her predecessors to channel through. At any given time you’ll find the revolutionary spirit of Audre Lorde and the Last Poets, you’ll feel June Jordan, Amiri Baraka, Jayne Cortez and even the expressive ephemerality of a passing blue note.

All appearing as generational trees from which these poems fruit. aja monet has been a poet in name since before birth. In her 2017 debut collection of poems my mother was a freedom fighter, she outlines in give my regards to Brooklyn, “i owe my life/to the woman/who stopped my mother/on the b56/on her way/to the abortion clinic/and told her/ you have a poet coming.” She has been a poet in verb since youth, “I started writing when I was 8 or 9 — [but] I think I was a poet before I wrote my first poem.” She matriculated in writing upon enrolling in Baruch College Campus High School and then in joining Urban World NYC. She cut her teeth within the walls of the legendary Nuyorican Poets Café, where she won the title of Grand Slam Champion in 2007 at age 19, making her the youngest Grand Slam Champion in the venue’s history.

She grew up in Brooklyn, where the incessant harassment of the Black community by way of the police was an untenable growing pain. Here in between the raucous and propulsive insistence of rap and the predetermined experience of Black people in America she learned to navigate language. After graduating from Sarah Lawrence College and the School of the Art Institute of Chicago, and living briefly in Paris, aja monet co-edited Chorus: A Literary Mixtape alongside poet-actor-director Saul Williams and released two chapbooks of poetry The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. Throughout her journeys, her poems always have a way of pointing back to home—aware and paying homage to from whence she came.

In when the poems do what they do aja monet appears as a woman of letters and storm, her poems do not roar in pentameter—but rather in storm surge because, “Who’s got time for poems when the world is on fire?!” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers. aja monet is a griot, a storyteller, a chronicler, and your grandmother telling you about her first love all at once.

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